Ethical Teachings of the Qur’an in Religious “Khialinegari” (Imaginary Paintings)

Abstract

The relation between art and ethics is one of the most important and fundamental theoretical debates of art from the past to the present. Khialinegari is one of the styles of Persian folk painting that dates back to the period of al Boyah (Shiite-Islamic works) and has a direct link with the religion and beliefs of Iranian people. Each of the narratives that have been painted in imagery paintings has pursued a goal and So far, these themes have not been studied in the Qur’anic ethics research. In this views on the definition of morality, the ethical foundations of anthropology and its relationship with art have been used and the internal and external factors of prosperity in religious imaginaries have been studied. In this regard, descriptive- analytical method has been used to explain these anthropological and ethical teachings. In the same vein, after expressing a set of theoretical foundations to express the concepts and foundations of the moral anthropology of Allameh Tabataba'i, the study of the worlds The Trilogy and the Factors of Human Well-Being and Its Implications in Examples of Religious Imagery in a Tables. So it can be deduced from the Qur'anic perspective Allameh, one of the essentials of religious imagination, is to showcase Islamic and Qur'anic moral teachings, and the creators of these works have created these works with awareness of the moral teachings and foundations of Islam, and these paintings are a media application for teaching these ethical principles. It has had a community among the populace.

Keywords

References

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Quarterly Scientific Journal of Applied Ethics Studies
Volume 15, Issue 35 - Serial Number 57
December 2020
Pages 123-171

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History

  • Receive Date: 28 April 2019
  • Revise Date: 30 August 2019
  • Accept Date: 29 December 2019

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